The Devil Wears Prada 2
Icons reign forever.
Andy Sachs walks back into Runway just as Miranda Priestly is working out what a legacy magazine means in a media landscape that moved on without asking permission.
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Synopsis
Andy Sachs returns to Runway as Miranda Priestly navigates a new media landscape and Runway’s position within. The duo reconnect with former assistant Emily Charlton, now the head of a luxury brand that possesses funding which could ensure Runway’s survival.
Our Review Editorial
Andy Sachs walks back into Runway just as Miranda Priestly is working out what a legacy magazine means in a media landscape that moved on without asking permission. Emily Charlton, once an assistant, now runs a luxury brand holding the funding that could keep the lights on, a power inversion the film clearly intends to enjoy. The register is satirical and glossy, workplace comedy sharpened on the anxieties of an industry in transition.
Aimed at everyone who has the original committed to memory, and at viewers who enjoy comedies where the barbs land harder than the plot turns. At 1h 59m there is space for fashion-world spectacle alongside the reunion beats, moving briskly between boardroom manoeuvring and personal reckoning. If you want wit, wardrobe and the pleasure of watching old rivals negotiate from new positions, it is an easy recommendation for a stylish night in.
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