Crime 101
Always have an exit.
A thief who works the 101 freeway like a private corridor, an insurance broker standing at her own crossroads, and a detective who will not let go: the geometry here is classic crime-picture architecture, three people converging on one last score.
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Synopsis
When an elusive thief whose high-stakes heists unfold along the iconic 101 freeway in Los Angeles eyes the score of a lifetime, with hopes of this being his final job, his path collides with a disillusioned insurance broker who is facing her own crossroads. Determined to crack the case, a relentless detective closes in on the operation, raising the stakes even higher.
Our Review Editorial
A thief who works the 101 freeway like a private corridor, an insurance broker standing at her own crossroads, and a detective who will not let go: the geometry here is classic crime-picture architecture, three people converging on one last score. Los Angeles registers less as scenery than as circuitry, mapped by its onramps and blind spots. Always have an exit sets the tone neatly, professional and cool-headed, alert to the small errors that undo carefully built plans.
This suits viewers who love procedural heist storytelling, the kind where competence is the pleasure and tension comes from timing rather than explosions. Across 2h 21m there is room to let all three arcs breathe, so expect patient build rather than constant motion. Anyone with a soft spot for LA crime stories and morally tangled professionals should be well served. A confident pick for a night when you want craft and slow-tightening pressure.
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